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Saturday, March 24, 2012

The Umf and the evolution of live performances


The 14th edition of the Ultra Music Festival is currently taking place in Miami, FL. Until the end of the weekend, the most popular DJs and electronic band will be playing live music. The show can be watch live on YouTube – don't think about getting tickets at the last minute, the festival was completely sold out only a couple of weeks after tickets went for sale. The lineup is exceptional: pretty much every DJ who had a hit song in the last year or so will perform.
Can this kind of festival really be considered as live music? Most performers are only pushing buttons on a sound deck. Culturally speaking, a live musical performance is a gathering of people sharing a same experience through the message the performer is conveying in the lyrics and the connection they are establishing with the audience by adapting their rendering of a song and through body language. This artistic form can be found in a local blues festival as well as in a shock rock concert. These are the unifying characteristics that have defined music until the early 1990s.
Over the past decade, rhythms have become more repetitive, leaving a narrow range for interpretation or alternative renderings of a song. The message behind the lyrics is much simpler and sometimes even missing. Live performances have changed too. Using a sound deck instead of instruments does not allow the performer to put on a dynamic show, to use body language or to interact with the public. The audience has changed too: an increasing numbers of spectators are taking pictures or recording the performance instead of dancing or cheering. We have a much more controlled form where the interaction between the performer and the audience is limited.
Perhaps electronic music fans see more in these performances than I do – but I cannot see this kind of music standing the test of time.

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