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Saturday, March 31, 2012

Mirror Mirror: a new take on the Snow White myth


A new take on the Snow White fairy tales came out in the theaters today: Mirror Mirror. So far film critics seem a little disappointed with the movie. The acting isnot that great and director Tarsem Singh's style does not do justiceto the traditional fairy tale. The main interest of the movie is that it offers an original spin on the old fairy tale: the queen is telling the story and turns Snow White into the evil one. The audience is disappointed because everyone wants an evil queen: this is what Snow White is all about. We are supposed to identify with the beautiful young woman who is tyrannized by her jealous stepmother, whether we are watching the candy-coated Disney version or reading the original gritty story.
Why isn't this movie working? Because there is not only stories to tell, but a way of telling them. Snow White is a cultural landmark because we can relate to the story. From a psychoanalytical point of view, Snow White reflects mother-daughter relationships and coming of age, things we all know about even if we have no extensive knowledge of psychoanalysis. Disney turned Snow White into a 'princess', a character little girls want to identify with. I agree that the Disney version is filled with old-fashioned and patriarchal values I would not want to expose a child to, but I cannot deny it is a cultural landmark.
Mirror Mirror fails because it approaches a myth from an unfamiliar angle. We care about Snow White because we know the story and relate to it on different levels: it is a part of our childhood memories, of bonding with our own children and we probably relate to it on an unconscious level too. This new version is not a recognizable myth and does not have an audience because Snow White is not something we want a new take on, it is a myth that needs to be left untouched to conserve its a meaning, both on a personal and cultural level.

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